Author Archives: Austin Burbridge

About Austin Burbridge

Austin Burbridge is Executive Editor of Cinema Minima for Movie Makers Worldwide. After successful careers in manufacturing and in technology, he co-founded Cinema Minima, Sustainable Cinema, and Far From Hollywood. A native of Texas, he learned cinéma vérité technique at Rice Media Center. At Brown he concentrated in Semiotics and in Art; he studied Art History at the University of Chicago. He lives in Los Angeles.

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Still from A MAN AND A WOMAN

A look back at UN HOMME ET UNE FEMME | A MAN AND A WOMAN by Claude Lelouch

Movie makers should pay attention to the elegant storytelling of this 1966 French film, which stars Anouk Aimée and Jean-Louis Trintignant

BY AUSTIN BURBRIDGE. LOS ANGELES (CINEMA MINIMA) — Of course it’s pure pop — but done with deceptively simple, even casual technique, and the kind of light touch that comes from tremendous self-assurance. One is tempted to remark that its images seem to have been plucked from advertising, except that — such was the influence of the film — the advertising of the era may have been inspired by the film, rather than the other way around.

Making love, winning the audience

The real “killer” moment in this picture — which otherwise seems so insubstantial as to be hardly a movie at all, but a daydream of a movie — is the scene in which the man and the woman make love. At the time it was an extraordinary, even audacious moment in a movie. Here’s why.

In the midst of lovemaking, the man senses — from a nearly imperceptible change in the woman’s demeanor — that something is wrong. He stops: She is thinking of her late husband.

This was — and still is — one of the very few moments in cinema wherein a scene of lovemaking advances the story, rather than interrupting it. Most scenes of lovemaking are completely unnecessary, because the significance is merely the fact it occurs at all; not in the details of how it is accomplished.

Sex and the storyteller

It is not a solecism to show a sexual act in a movie, but it does present a serious, technical, narrative problem for movie makers: After a spectacle of sexual congress has completely distracted an audience, the story will have stopped dead in its tracks. How to get a movie started again, after that? That is a trick that requires finesse — and a storyteller’s cunning, of which writer-director Claude Lelouch and screenwriter Pierre Uytterhoeven have an abundance.

Detail and sensitivity

This part of the story shows a level of detail and sensitivity which rarely occurs in cinema inside or outside the bedroom.

Success and Influence

I don’t think American cinema was ever the same after this movie was shown. It was a hit in art-house theaters in the USA; it took two Academy Awards: Best Foreign Language Film, and Best Writing, Story, and Screenplay Written Directly for the Screen; but what made it not only successful but vastly influential, was that the ABC Television network showed the movie in prime time, to an audience far larger than what it could have gained in theaters — embedding it — and its candid, casual use of intimacy — into popular taste.

And of course, there is that amazing, light, but elegant theme by composer Francis Lai! It makes American pop movie scores seem turgid and overbearing.

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African Academy Awards 2011 Poster

African Movie Academy Awards nominees to be announced 2011 February 12 at event in Nairobi, Kenya

The Seventh African Movie Academy Awards Nomination Night will take place on February 12, 2011, in Nairobi, Kenya. Filmmakers — from all over Africa, and from the African diaspora worldwide — will attend the event at the Safari Park Hotel, which will start Saturday afternoon at four o’clock. Over 300 African motion pictures had been submitted in 2010 for consideration by the Africa Film Academy.

The AMAA Nomination Night will be an all-Africa event: Fifty-three countries will represented at the gathering, which expresses the aspirations of players among the continent’s burgeoning audiovisual media.

The African Movie Academy Awards

The awards recognize and honor excellence among the directors, actors, and writers who create Africa’s audiovisual media. They also promote exemplary works of African filmmaking.

The Seventh African Movie Academy Awards ceremony will be held in Nairobi on March 26, 2011. The glamorous ceremony has become a prestigious event in the African entertainment industry calendar.

Links

[This story is based on reporting by Cinema Minima Correspondent Ogova Ondego in Nairobi. Lilian Baksalevowicz at FilmContact.com in Cape Town, South Africa, also contributed to this story.]

Picture of Mohammed Rasoulof

Iran punishes 2 filmmakers for political speech. Jafar Panahi, Mohammad Rasoulof get 6 years

BY AUSTIN BURBRIDGE. LOS ANGELES (CINEMA MINIMA) — Two Iranian independent filmmakers were sentenced to six years in prison in Iran on Monday, December 20, 2010. The two directors — Jafar Panahi and Mohammad Rasoulof — had been arrested at Mr Panahi’s house in March 2010. After incarceration, Mr Panahi, who is fifty years old, will be forbidden for twenty years from making films, writing screenplays, speaking to local or foreign media, and travel abroad.

The sentences were imposed on the two men for the purpose of punishing “assembly and collusion and propagandizing against the régime,” according to a report published in Iran by the Iranian Students News Agency. Each had spoken out against the Iranian government’s regulation of movie making. They had also publicly expressed support for the opposition to the régime during the last national elections.

Jafar Panahi is a well-known director. He has been celebrated for his successes at Berlin, Cannes, and Venice.

Mohammad Rasoulof is a respected writer, director, and producer. However — while Mr Rasoulof’s films have been acclaimed at festivals outside Iran — he is not a celebrity.

There have been many, well-publicized appeals by celebrities — Francis Coppola, Abbas Kiarostami, Martin Scorcese, and Steven Spielberg, among others — for the release of Mr Panahi. Some of the statements mention that Mohammad Rasoulof was hit with the same term of imprisonment for the same crime, and call for his release, as well. A petition is circulating, which has been subscribed by several French institutions, including the Cinémathèque française. It, too, mentions Mr Rasoulof.

However, few headlines or ledes mention that any filmmaker other than Mr Panahi had been sentenced in Iran last Monday. Twitter is littered with messages deploring the injustice to Jafar Panahi and calling for his release. Among the broad strokes of public discourse, the plight of his less-well-known colleague has been, for the most part, omitted, or relegated to the details of the Panahi story.

Although Mohammad Rasoulof is not so well-known as Panahi, he is a respected director of four features, several of which have been exhibited to good notices at international film festivals. His documentary, HEAD WIND, treats Iranian government restrictions on getting international movies and TV from satellite dishes, and restrictions on internet access. His latest film, THE WHITE MEADOWS, was released in 2009.

In his call for the release of the filmmakers, Abbas Kiarostami explained the significance of their work in Persian culture and its importance in a larger context —

Jafar Panahi and Mahmoud Rasoulof are two filmmakers of the Iranian independent cinema, a cinema that for the past quarter of a century has served as an essential cultural element in expanding the name of this country across the globe. They belong to an expanded world culture, and are a part of international cinematic culture.

I wish for their immediate release from prison knowing that the impossible is possible.

My heartfelt wishes are that artists no longer be imprisoned in this country because of their art; and that the independent and young Iranian cinema would no longer face obstacles, or lack of support and attention, or prejudice.

Since his arrest in March 2010, Mr Rasoulof has been at liberty on bail. During that time he has begun production of new movie. He remains free, pending appeal. He has twenty days from the date of the sentencing, to file an appeal.

Cinema Minima has created a basic Wikipedia article for Mohammad Rasoulof — readers are encouraged to make improvements to it.

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FYRO Macedonia Still from MOTHERS

European Film Promotion screens 13 Oscar contenders 2010 November 3-10 in Beverly Hills

BY AUSTIN BURBRIDGE. LOS ANGELES (CINEMA MINIMA) — European Film Promotion — a consortium of 32 European film organizations — will host industry screenings for 13 feature films which are up for consideration to be nominees for the Best Foreign Language Film Oscar at the 83rd Academy Awards.

European Film Promotion poster image

The films — from Austria, Bulgaria, Croatia, Holland, Hungary, Iceland, Macedonia, Norway, Slovakia, Slovenia, Spain, Sweden, and Switzerland — will be shown in Beverly Hills (Los Angeles) 2010 November 3–10, in afternoon and evening screenings for film professionals, selected press, and Academy members. The screenings coincide with the American Film Market, in order to give the films exposure to the many buyers who come from all over the world to do business there.

“These screenings are a great chance to highlight some of Europe’s best films during the Oscar campaigns, and also, for the buyers who attend the AFM,” observed Éva Vezér, who is President of EFP, and General Manager of the Hungarian film organization Magyar Filmunió. “We are extremely pleased to be able to present 13 of our films this year — a big increase compared to the eight in 2009 and six in 2008. This shows that more and more members of our EFP network want to make use of this opportunity and spotlight the films where the decision makers meet.”

Guide to EFP Screenings

For the convenience of Cinema Minima’s readers the entire screening schedule is presented here in chronological order, and with handy indices, by country, and by title.

All screenings will take place at the Wilshire Screening RoomMap.

Screenings: Index by country

Screenings: Index by title

Schedule of screenings

Each entry includes –

  • A still from the film, which is linked to its handbill
  • A link to its entry in the EFP Film Database
  • A link to professional information about its director
  • A link (if available) to its website or trailer
  • A link to its handbill. Each handbill — which is in Adobe Reader (PDF) format — is a complete résumé of the film, with sales information for buyers. These handbills are superb productions. They testify to the high standards and excellence of the EFP’s Film Sales Support organization.
2010 November 3 Wednesday 6:15 PM
Still from MAMA GOGO IcelandMAMMA GÓGÓ by Fridrik Thór Fridriksson.
Trailer. Handbill (PDF).
2010 November 3 Wednesday 8:00 PM
Still from TIRZA The Netherlands (Holland) — TIRZA by Rudolf van den Berg.
Website. Handbill (PDF).
2010 November 4 Thursday 8:00 PM
Still from EVEN THE RAIN SpainTAMBIÉN LA LLUVIA | EVEN THE RAIN by Icíar Bollain.
Website. Handbill (PDF).
2010 November 5 Friday 5:00 PM
Still from 9:06 Slovenia9:06 by Igor Šterk.
Trailer. Handbill.
2010 November 6 Saturday 2:30 PM
Still from THE BORDERSlovak RepublicTHE BORDER by Jaro Vojtek.
Website. Handbill (PDF).
2010 November 6 Saturday 4:00 PM
Still from LA PIVELLINA AustriaLA PIVELLINA by Tizza Covi and Rainer Frimmel.
Trailer. Handbill (PDF).
2010 November 6 Saturday 6:00 PM
Still from THE BLACKS CroatiaCRNCI | THE BLACKS by Zvonimir Jurić and Goran Dević.
Trailer. Handbill.
2010 November 7 Sunday 4:00 PM
Still from LA PETIT CHAMBRE SwitzerlandLA PETITE CHAMBRE by Stéphanie Chuat and Véronique Reymond.
Website. Handbill (PDF).
2010 November 7 Sunday 6:00 PM
Still from THE ANGEL NorwayENGELEN | THE ANGEL by Margreth Olin.
Website. Handbill (PDF).
2010 November 9 Tuesday 6:15 PM
Still from SIMPLE SIMON SwedenI RYMDEN FINSS INGA KÄSNLOR | SIMPLE SIMON by Andreas Öhman.
Handbill (PDF).
2010 November 9 Tuesday 8:00 PM
Still from BIBLIOTHEQUE PASCAL HungaryBIBLIOTHÈQUE PASCAL by Szabolcs Hajdú.
Trailer. Handbill (PDF).
2010 November 10 Wednesday 6:15 PM
Bulgaria. Still from EASTERN PLAYS BulgariaEASTERN PLAYS by Kamen Kalev.
Trailer. Handbill (PDF).
2010 November 10 Wednesday 8:00 PM
FYRO Macedonia Still from MOTHERS FYR of MacedoniaMAJKI | MOTHERS by Milcho Manchevski.
Handbill (PDF).

European Film Promotion

European Film Promotion (EFP) organizes the screenings. It is an international network of organizations from 32 European countries, which promotes and markets European cinema around the world.

Each member organization employs experts in promoting and marketing its own national cinema; and they coöperate to promote European cinema.

EFP was founded in 1997. It is supported by the European Union’s Media Programme and by its member organizations.

EFP Film Sales Support

EFP FSS logo Film Sales Support (FSS) — which will have an umbrella office at the American Film Market — is EFP’s support scheme for the promotion of European films outside of Europe.

FSS financially supports up to 50% of the marketing campaigns of European sales agents — or production companies in cases where films are not handled by a sales agent — at selected non-European film festivals or markets. In 2009, FSS backed 165 films at FILMART, the Asian Film Market, and the AFM.

For more information

The EFP Project Coordinator is Luisa Graeve

Picture of Manoel de Oliveira wearing hat and parka

Director Manoel de Oliveira postpones visit to São Paulo Film Festival

< BY AUSTIN BURBRIDGE. LOS ANGELES (CINEMA MINIMA) -- Centenarian filmmaker Manoel de Oliveira — whose feature, O ESTRANHO CASO DE ANGÉLICA|THE STRANGE CASE OF ANGELICA opens the 34th São Paulo International Film Festival — will not attend its opening night screening.

On advice from his physician, the 102-year-old Portuguese director has postponed his visit to São Paulo, Brazil, for eight days while he recuperates from the replacement of a cardiac pacemaker, according to Folha.com. A spokesman for the festival says that the director “likes the São Paulo festival, and he promises to come before it closes” on 2010 November 4.

Manoel de Oliveira filmed by Wim Wenders

Having written and directed eleven features and seven short films in the last ten years, Manoel de Oliveira is the not only the oldest active filmmaker in the world, he is also one of the more active of any filmmakers working today. Born in Portugal in 1908, he made his first film, a documentary, in 1931; his first feature in 1942. The Alternative Film Guide offers summaries of films which had been screened in a retrospective of his work at the Brooklyn Academy of Music.

DVD ECCENTRICITIES OF A BLONDE HAIRED GIRL by Manoel de Oliveira Although hardly known in the United States, de Oliveira is an international director of the first rank, whose reputation is secure among filmmakers and audiences worldwide. Read Randall Johnson’s appreciation of his career in Senses of Cinema.

[Source Cineasta Manoel de Oliveira cancela presença na abertura da Mostra de Cinema de SP - Folha.com]

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Independent filmmakers panel at TromaDance Press Conference at American Film Market 2010

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BY AUSTIN BURBRIDGE. SANTA MONICA, CALIFORNIA (CINEMA MINIMA) — A panel of independent filmmakers — headed by director Lloyd Kaufman, and including actress Jaime King, producer Richard Saperstein, director Darren Lynn Bousman, Oscar-nominated screenwriter Josh Olson, writer-director Adam Rifkin, and FilmThreat publisher Chris Gore — will convene at the 2010 American Film Market to discuss the state of independent art and filmmaking during the TromaDance Film Festival press conference.

Filmmakers are invited to attend the event, which will start at 3 o’clock in the afternoon of November 4, 2010, in the Press Room of Loews Santa Monica Beach Hotel in Santa Monica, California. Space is limited; filmmakers who wish to attend should RSVP to Anne Koester at anne@troma.com as soon as possible.

The annual event promotes the TromaDance Film Festival as a beacon for truly independent cinema. Each year, the fest showcases groundbreaking new films, and new and talented filmmakers — all for free.

Besides the filmmaker panel, the conference will –

  • Present the Soul of Independence Award, bestowed upon one young, deserving filmmaker for embodying the spirit of TromaDance.
  • Present the break-out filmmakers Astron-6 — Adam Brooks, Jeremy Gillespie, Matt Kennedy, Conor Sweeney, and Steven Kostanski — who were discovered at TromaDance 2010, and who have been hired by Troma Entertainment to make their first feature, FATHER’S DAY.
  • Explain why the TromaDance Film Festival has moved from Park City, Utah, in the western part of the United States, to Asbury Park, New Jersey, in the northeast.
  • Announce the latest news about the 2011 TromaDance Film Festival.
  • Sceen a new TromaDance Public Service Announcement

Inspired by Trey Parker and founded in 1999 by Lloyd Kaufman, TromaDance is the first film festival wholeheartedly devoted to filmmakers and fans.

Unlike every other film festival, TromaDance does not charge filmmakers a fee to submit their films. Entrance to all screenings is free and open to the public. The organizers of TromaDance believe that films are meant to be seen, especially when it comes to new filmmakers.

The TromaDance Film Festival Committee is now accepting submissions for TromaDance 2011. Deadline for submissions 2011 February 11. [Entry form].

As the largest film market for independent films, the American Film Market complements the ideals of TromaDance; it serves as a meeting ground for contemporary independent minds. In previous years, the TromaDance panel at the AFM has boasted the contributions of Jenna Fischer, Fred “The Hammer” Williamson, James Gunn, Mark Neveldine, Brian Taylor, Penelope Spheeris, and The Toxic Avenger, among others.

Josh Olson received an Academy Award nomination for his adaptation of the graphic novel A History of Violence for David Cronenberg’s A HISTORY OF VIOLENCE. He contributes to Joe Dante’s Trailers From Hell. He is preparing to direct an adaptation of the Dennis Lehane story, “Until Gwen.”

Adam Rifkin wrote, produced, and directed LOOK, The Series for the American cable-TV network, Showtime. Based on his film of the same name, the series explores America’s camera-crazed and surveillance-based culture. Rifkin wrote DreamWorks’ MOUSEHUNT and SMALL SOLDIERS, and directed DETROIT ROCK CITY.

Lloyd Kaufman — celebrated as a co-founder of Troma Entertainment — is the director of THE TOXIC AVENGER and TROMEO AND JULIET. He is the chairman of the Independent Film & Television Alliance, which produces the American Film Market.