Color correction in features now as aggressive as commercials, videos

The current trend in motion-picture color correction, observes visual-effects artist Stu Maschwitz, is uncompromising preservation of “correct” skin tones. As filmmakers’ sensibilities became influenced by the possibilities of the digital intermediate (DI) — popularized by colorist Stefan Sonnenfeld‘s work on Bad Boys II and that of Jet Omoshebi on Underworld — more “pushed” looks became […]